
The Bologna process,
international mobility, new media and changes in the professional
world, have a deep impact on structures, learning and teaching
and contents. The thematic network is vital for the many
art schools who wish to join forces in a European context.
The previous thematic network ‘Innovation in Higher
Arts Education in Europe’, co-ordinated by the Hogeschool
Gent, Belgium, has developed a strong ‘Bologna’ platform
for exchange in arts and music education. Broad European
working groups in fine art, dance, music, and theatre identified,
compared and described core competencies/learning outcomes
for the first and second cycles of higher arts education.
The working groups defined their own methodology and entered
into a process similar to the ‘Tuning project’.
The ‘European Dialogue on Bologna in the Arts’ in
Vienna in 2003, where national ministries for Education and
Culture, art schools and students discussed Bologna, marked
the shift from the ‘why’ to the ‘how’.
All this hard work opens up the possibility of real transparency
and mobility and recognition in the arts education sector
on a scale that seemed impossible only a few years ago.
In October 2004 a new phase for the thematic network, called
INTER-ARTES started. Co-ordinator is the Aleksander Zelwerowicz
State Theatre Academy, Poland with the European League of
Institutes of the Arts (ELIA) as lead partner. It brings
together 50 arts institutions across Europe and all 350 ELIA
members are associated to the network. Full of new plans,
the network will work in relatively independent strands.
The ‘learning outcomes’ approach will be further
developed, involving more new EU member-states and candidate
countries. New and more specialist subject areas such as
jewellery will work according to the ‘tuning methodology’.
The ‘quality’ strand will organise peer support
in the field of self-evaluation, possibly leading to an independent
voluntary European network for quality in the future. The
European Commission’s request to identify ‘hidden’ knowledge
and skills really struck a sympathetic chord in the higher
arts education community. The network will identify examples
of ‘disappearing’ pedagogical, artistic and cultural
expertise as well as examples of ground breaking new knowledge
in higher arts education. Closer contacts with the professional
world, also in relation to the learning outcomes approach,
will be organised. The network hopes that the two enthusiastic
European groups of art students resulting of the previous
TN will flourish and grow in the coming period.
Go to www.elia-artschools.org for the handbook ‘On
the Move, Sharing experience on Bologna in the Arts’ and
other outcomes.
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